![]() Second, if you’re transcribing music using HyperScribe, you’ll discover that accidentals are transcribed with greater accuracy. First, when you create chord symbols, their descriptions in the Chord Definition dialog box will be accurate (the root of an A minor chord in a scale with no sharps or flats will be labeled 1, not 6). ![]() If you follow the instructions below, you’ll notice two significant changes in Finale’s behavior. You can, however, tell Finale that you’re working in a minor key, where the scale that begins on C has three flats (for example), and in the scale with no sharps or flats (A minor), C is not the root. In such a key system, C is considered by Finale to be scale degree zero of the scale with no sharps or flats (C major). Choose Hold Notes to Same Staff Lines (Modally) to keep each existing note on its original line or space without adjusting accidentals.įinale defaults to a major key system, where the scale that begins on C has no sharps or flats.Choose Hold Notes to Original Pitches to hold each note at its original absolute pitch and adjust accidentals where necessary.Subsequent key changes will be preserved, but will be affected by the same interval as the key change you’re now creating. If the measure range you’ve specified contains keys whose relationships you want to preserve, select Transpose All Keys Proportionally. Choose either Up or Down from the dropdown menu to specify the direction in which you want to transpose the music. Choose Transpose Notes to transpose any existing music to the new key.None of these choices affect sections of your document that are keyless. Using the Measure _ Through _ (or Through End of Piece or To Next Key Change) text boxes, specify the range of measures you want to be affected by the key signature. ![]() If you want to select or create a nonstandard key signatures (based on a quarter-tone or other nontraditional scale), choose Nonstandard from the dropdown menu. Scroll up for sharp keys, and down for flat keys. Click the up and down scroll-bar arrows until the desired new key signature appears.Choose the Key Signature tool, and double-click the measure where the key will change.Thus: D minor / F major becomes B minor / D major.Noteman says: See Key signatures, time signatures, and clefs for a step-by-step tutorial on adding key signature changes, or view the Change the key signature QuickStart Video for an overview. And to produce a given concert pitch, the saxophone part must be written a major sixth higher. Put another way, concert pitch - the actual sound produced in response to a written saxophone part - is a "major sixth" lower than the written note. When "C" is written in an alto saxophone part, the resulting concert pitch - the note a singer would sing to match the alto saxophone's "C" - is the Eb below. This means that its written music and the "concert pitch" sound that results are not the same. The alto saxophone is an "Eb instrument". Instruments like voice, piano, and flute - so-called "C instruments" - are all written in concert pitch. Concert pitch means that when you write an "A" (specifically, the "A" above "middle C") it is tuned to 440Hz. ![]() Voice is written in what is called "concert pitch". The corresponding alto saxophone key signature will have two sharps. Your voice part's key signature has one flat. ![]()
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